El ancho de banda es la máxima cantidad de datos que pueden pasar por un camino de comunicación en un momento dado, normalmente medido en segundos. Cuanto mayor sea el ancho de banda, más datos podrán circular por ella al segundo.

Cargar es en inglés Upload. A menudo confundido con descargar, cargar un archivo o fichero significa cargarlo de una computadora personal a otra distante. En Multimedia, es por ejemplo, enviar su señal de audio o video a un Servidor para que los usuarios o el público pueda descargarlo.
 
 Descargar es en inglés download. Descargar es el método mediante el cual los usuarios acceden y guardan programas u otros ficheros en sus computadoras a partir de ordenadores remotos, normalmente por medio de un módem. Descargar ficheros es lo que hacen la mayoría de los usuarios de manera más frecuente.

En el proceso de la grabación podemos elegir el tipo de canal en el que queremos grabar, un sólo canal, (mono) o los dos (estéreo). Es importante que utilicemos los dos canales cuando el archivo de audio contiene música. Para los programas basados en la locución con música de fondo, el canal mono será suficiente.

El MP3 es la abreviatura de "MPEG Layer-3". MPEG significa "Moving Picture Experts Group," y se refiere a los especialistas que desarrollaron el MPEG, un grupo de profesionales que desarrollaron la codificación digital de video e información de audio.

• Sistema de Consola o equipo de audio, con micrófono.
• Una computadora de escritorio con buena tarjeta de sonido.
• Software decodificador que ITS Websites LLC le facilita y ayuda a instalar.
• Cualquier conexión a internet 64kbps o superior.

• In any three-hour period, you should not intentionally program more than three songs (and not more than two songs in a row) from the same recording; you should not intentionally program more than four songs (and not more than three songs in a row) from the same recording artist or anthology/box set.
• Archived programs (those that, when accessed, always start in the same place and play in the same order) should be at least five hours long, and should not be available for more than two weeks at a time. 
• Continuous "looped" programs (those that always perform in the same order, but are accessed in a continuous play stream) should be at least three hours long.
• Rebroadcasts of programs can be performed at scheduled times three times in a two-week period (for programs of less than one hour) and four times (for programs of an hour or more). 
• Do not publish advance program guides or use other means to pre-announce when particular sound recordings will be played. However, a webcaster may name one or two artists to illustrate the type of music on a particular channel; and, DJ "teaser" announcement using artists' names are permitted, but only those that do not specify the time a song will be played. 
• Use only sound recordings that are authorized for performance in the United States (e.g.: do not play bootleg recordings).
• Provide some means for the end user to identify the song, artist and album title of the recording as it is being played.
• Lastly, the DMCA also requires that you accommodate technological copyright protection measures or pass through any identification, which may be included in the song recording itself, as long as it does not impose substantial costs or burdens on the webcaster. Also, do not deploy or support technological means to evade these requirements; and, do not explicitly encourage home taping.

• Una cámara digital, si quiere filmar o transmitir en vivo.
• Una computadora de escritorio con tarjeta de video (Video capture card).
• Software decodificador que ITS Websites LLC le facilita y ayuda a instalar.
• Conexión rápida de internet sobre 384kbps o superior.

Video codificado (encoded) a esta velocidad y tipo de conexión que los usuarios requieren

Complying with copyright laws

Musical compositions and sound recordings are creative works that are protected by the copyright laws of the United States (title 17, U.S. Code) and other countries. Under U.S. law, the owner of a copyright has the exclusive right to (and to authorize others to) reproduce the work, use parts of the work in a new creation, distribute the work in whole or in part, and to publicly display or perform the work (including on web pages and through webcasting). With few exceptions, it is illegal to reproduce, distribute or broadcast a sound recording without the permission of the copyright owner. It is your responsibility to comply with the copyright laws of the United States and other countries in which you broadcast and to pay all applicable royalties to the copyright owners when you become a webcaster. Keep in mind that Internet Radio is available internationally.

There have been recent amendments to the copyright law regarding webcasting of sound recordings. These new provisions allow webcasting under the terms of a statutory license, as a way to help webcasters get permission without having to go to each sound recording's owner. The statutory license, however, has strict requirements that you must follow. Some of these requirements include the payment of license fees, limitations on the number of songs from the same album or artist that may be played in a three hour period (called the sound recording performance complement); a prohibition on publishing advance playlists; and a requirement to identify the song, artist and album on the website. There are other requirements as well. The Recording Industry Association of America provides quite a bit of information on copyright law as it applies to webcasting, and both ASCAP and BMI have created license agreements that they are willing to grant to webcasters that they believe conform to the provisions of the new copyright rules for webcasting. For additional information on the statutory license and other aspects of webcasting, please visit the following sites: